The position of a bit of furniture was one that Fleda could conscientiously accept, and she by no means insisted on so high a place in the list. This communication made her easier, if only by its acknowledgment that her friend had some thing left: it still implied recognition of the principle of property. Something to hate, and to hate "comfortably," was at least not the utter destitution to which, after their last interview, she had helplessly seemed to see Mrs. Gereth go forth. She remembered indeed that, in the state in which they first saw it, she herself had "liked" the blessed refuge of Ricks; and she now wondered if the tact for which she was commended had then operated to make her keep her kindness out of sight. She was at present ashamed of such obliquity, and made up her mind that if this happy impression, quenched in the spoils of Poynton, should revive on the spot, she would utter it to her companion without reserve. Yes, she was capable of as much "action" as that: all the more that the spirit of her hostess seemed, for the time at least, wholly to have failed. Mrs. Gereth's three minutes with Owen had been a blow to all talk of travel, and after her woeful hour at Maggie's she had, like some great moaning, wounded bird, made her way, with wings of anguish, back to the nest she knew she should find empty. Fleda, on that dire day, could neither keep her nor give her up; she had pressingly offered to return with her, but Mrs. Gereth, in spite of the theory that their common grief was a bond, had even declined all escort to the station, conscious apparently of something abject in her collapse and almost fiercely eager, as with a personal shame, to be unwatched. All she had said to Fleda was that she would go back to Ricks that night, and the girl had lived for days after with a dreadful image of her position and her misery there. She had had a vision of her now lying prone on some unmade bed, now pacing a bare floor like a lioness deprived of her cubs. There had been moments when her mind's ear was strained to listen for some sound of grief wild enough to be wafted from afar. But the first sound, at the end of a week, had been a note announcing, without reflections, that the plan of going abroad had been abandoned. "It has come to me indirectly, but with much appearance of truth, that they are going—for an indefinite time. That quite settles it; I shall stay where I am, and as soon as I've turned round again I shall look for you." The second letter had come a week later, and on the 15th Fleda was on her way to Ricks. "I'm completely at your service." Owen held out his hand to Fleda. "Good-bye, Miss Vetch. I hope to see you again to-morrow." He opened the door for Mrs. Brigstock, who passed before the girl with an oblique, averted salutation. Owen and Fleda, while he stood at the door, then faced each other darkly and without speaking. Their eyes met once more for a long moment, and she was conscious there was something in hers that the darkness didn't quench, that he had never seen before and that he was perhaps never to see again. He stayed long enough to take it—to take it with a sombre stare that just showed the dawn of wonder; then he followed Mrs. Brigstock out of the house.!

Fleda gave her a faint smile. "He'll come if he can." Fleda took her hand, and her clasp of it was a reiteration of a promise already given. She said nothing, but her silence was an acceptance as responsible as the vow of a nun. The next moment something occurred to her. "I mustn't put myself in your son's way."

"He asked for Miss Vetch, mum," the girl replied, with a face that brought startlingly to Fleda's ear the muffled chorus of the kitchen. She had once more disengaged herself, with the private vow that he shouldn't yet touch her again. It was all too horribly soon—her sense of this was rapidly surging back. "We mustn't talk, we mustn't talk; we must wait!" she intensely insisted. "I don't know what you mean by your freedom; I don't see it, I don't feel it. Where is it yet, where, your freedom? If it's real there's plenty of time, and if it isn't there's more than enough. I hate myself," she protested, "for having anything to say about her: it's like waiting for dead men's shoes! What business is it of mine what she does? She has her own trouble and her own plan. It's too hideous to watch her and count on her!" "Why, that I'm in love with you!"